I love using saturated colours or simple black and white: colour conveys emotions, reactions, tensions, moments in time that are experienced but not seen. Using line for life drawing lets me practice optimum co-ordination between eye and hand, free from thought expressed in words, allowing for a universal language.
I usually work in oils, mostly using sketches done on the spot. I am currently interested in 'edgelands', ex-industrial sites which are now spaces for wildlife. I studied at City Lit, Fine Art course 2013-14.
My artworks cover a wide variety of subject, media and styles. I began with figurative drawings and spray paintings that developed into abstraction and textured interior artworks. More recently I have produced a series of scenic landscapes in greyscale aswell as autumn colour scheme. I like to think of my art in a state of evolution and a learning curve that is constantly progressing.
drawings and prints usually based on thematic series. Also featured in cards and minibooks - minibooks are digitally produced 12 sided concertina books, compilations of drawings or prints, 15cm square sold with an envelope.
Beverley Healy lives in Belfast, Northern Ireland, where she exhibits regularly. In 2011 she won the Ann Cheyne Award for small works and in 2016 received First Prize in the American Art Awards for her portraiture. She was also the Creator and Coordinator of the Dreams Art and Health Research Project which won the Blair L Sadler Healing Arts Awards. She says of her work, "I believe in the healing power of Art. I seek to create work that is not merely a likeness but a beautiful painting, a jewel to adorn the wall of a home or a gallery. My portraits are usually painted in egg tempera on traditional gesso board which allows a softness of colour and sensitivity to detail. My pastel work, on the other hand, allows me to work more freely - I start with a verse or a song and the painting becomes a discovery. I often liken them to visual prayers. In either medium I enjoy colour and the sense of connecting with something deeper as I paint."